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About

Lysanne is a Dutch theatre maker, director and coach based in London.
She primarily works in opera, but also has an interest in Classic Texts and Music Theatre. She has worked with companies across the UK and Europe including English Touring Opera, Köln Oper, Opera Zuid and Opera Holland Park, where she was the 2024 Young Artist Director. Her work has been nominated for several Off West End Awards, most recently Maria De Rudenz with Gothic Opera in the Best Production (Opera) category.

 

Lysanne has a strong foundation in movement and performance. She trained at Trinity Laban Conservatoire of Music and Dance and worked as a performer for several years with a particular interest in Shakespeare and Classical Texts.
In 2016, she assisted Jenny Miller at Longborough Festival Opera on Alcina and discovered a love of directing.
Currently, alongside her directing work, she is training to become an accredited career coach with The Coaching Academy, with a particular focus on helping artists at all stages of their career navigate the creative industries.

 

Her work has been praised for its clear and truthful storytelling, allowing the material and performers to flourish. Previous productions include Maria De Rudenz – Gothic Opera (☆☆☆☆☆ Opera Now), La Canterina – Buxton International Festival (☆☆☆☆ The Stage), Alice’s Adventures in Wonderland – IF Opera (☆☆☆☆ The Stage).

 

As an Associate, Staff Director and Assistant, Lysanne has worked with various directors including Bruno Ravella, John Wilkie, Cecelia Stinton, Lucy Bradley and Julia Burbach.

 

Lysanne has a keen interest in working with early career and emerging artists. As well as being the OHP Young Artist 2024 director, she also works with Royal Birmingham Conservatoire and has directed their Opera Scenes.

Directing

Opera Scenes (Royal Birmingham Conservatoire), Maria de Rudenz (Gothic Opera), La Canterina (Buxton International Festival), Il Barbiere di Siviglia (Opera Holland Park Young Artist Production), Iolanta (IF Opera), Alice's Adventures in Wonderland (IF Opera), La Traviata (Brent Opera), Opera Gala (Clonter Opera), Tutankhamun's Shoes (English Touring Opera), Dido & Aeneas (IF Opera), Rita (IF Opera), Double bill: Orfeo ed Euridice / Zanetto (Barefoot Opera | Finalist for 2022 OFFIES), The Tales of Hoffman | The Magic Flute (Opera Integra), Rigoletto (Brent Opera), I Capuletti e i Montecchi (Grimeborn, The Arcola Theatre), Lady of Stavoren (Over the Pond Productions).​

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Staff and Associate Directing

Il Barbiere di Siviglia (Opera Holland Park), Der Schauspieldirektor (Opera Zuid), La Boheme | The Golden Cockerel (English Touring Opera Spring 2022), Amadigi (English Touring Opera Autumn 2021), ETO at Home (English Touring Opera 2021)

Assistant Directing

Fedora (IF Opera), Orphee aux Enfers (Opera Zuid), La Rondine (IF Opera), Little Women (Opera Holland Park), Il ritorno d'Ulisse in Patria (Longborough Festival Opera), Il Barbiere di Siviglia (Barefoot Opera), Das Rheingold (The Arcola Theatre), Anna Bolena (Longborough Festival Opera), Street Scene (Köln Oper), Carmen (Barefoot Opera), The rape of Lucretia (The Arcola Theatre), Il Trionfo del Tempo e del Disinganno (Kiez Opera), Edward II (Lazarus Theatre), Hansel & Gretel (Celebrate Voice Festival), The cunning little Vixen (The Opera Company), Max the Brave (Britten Sinfonia), Tosca (Celebrate Voice), Alcina (Longborough Festival Opera)​

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Download full CV here

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All splendid in a theatrically assured production by Lysanne van Overbeek.
Opera Magazine

Slick in its comic timing as one could wish.
The Opera Critic

It was a masterstroke.
The Spectator

Carried off with verve under Lysanne van Overbeek's direction, this is a production that demands attention for all the right reasons.
☆☆☆☆ The Reviews Hub

Lysanne van Overbeek's direction is straightforward and serious, but always effective.
Mark Aspen

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